Buckcherry
Buckcherry is unique, complex, simple, passionate, explosive, original, and always a good time. BC has been my love, my pain, my passion and I'm so proud of what we have accomplished. I never knew when I started this that dedicating myself to music would be taking on so much responsibility. For a guy who never thought he was going to live past 30 this has been an incredible journey. Our ninth record HELLBOUND marks 22 years since our debut self-titled release and what an amazing roller coaster we have been on. From hit songs to platinum and gold records and millions of fans worldwide - all during a time period when traditional sounding hard rock bands didn't exist - except for Buckcherry. We beat the odds and built our reputation on the live shows, and our "one of a kind" approach to every opportunity.

When the pandemic hit, we had to shift gears like everyone else and it was anything but comfortable. The good news is when this band is backed up against the wall, we produce our best music. HELLBOUND reflects just that. Teaming up with Marti Fredrickson again was so inspiring. He really brings out the best of us and becomes the sixth band member when we are together. There is this mutual respect and passion going on that makes it effortless and fun.

There was so much going on in the world that it was easy to find subject matter for song writing. Songs like BARRICADE and JUNK reflect that, but I also was reminiscing about the moment when I "sold my soul to rock n' roll". I will never forget it. It was the very first performance at a house party in Orange County, CA. I knew in that moment that there was no looking back, and no "plan B". It was only victory or death. The title track HELLBOUND reflects that very moment and is one of my favorite tracks. Part of what I loved about rock records growing up was the dynamics from song to song, you had mid-tempo songs, ballads, and rockers and HELLBOUND is a great reflection of that. Songs like NO MORE LIES, AIN'T WASTING NO MORE TIME, and THE WAY really capture the depth and emotion of not only the world situation but also the personal struggle. Then you must have those quintessential Buckcherry tracks like SO HOT, 5-4-3-2-1, HERE I COME and GUN that I can see our long time fans really appreciating.

Through adversity Buckcherry has had its greatest moments and we are having one right now with HELLBOUND I hope u enjoy it, and we will see you at the rock show!!

Michael Monroe
Michael Monroe is a renowned Finnish hard rock vocalist and multi-instrumentalist who rose to fame in the 1980s as the frontman for glam-punk luminaries Hanoi Rocks. After the band's breakup, Monroe embarked on a successful solo career, debuting in 1987 with Nights Are so Long. In addition to his own work, he has fronted numerous all-star side projects, including Jerusalem Slim (with Steve Stevens) and Demolition 23. Monroe issued his tenth solo long-player, I Live Too Fast to Die Young!, in 2022.

Born Matti Fagerholm on June 17, 1960, in Helsinki, Finland, Monroe played saxophone with a variety of Finnish bands throughout the late ‘70s before eventually switching to vocals, and helping co-form Hanoi Rocks in 1980. Preceding Mötley Crüe by several years, Hanoi Rocks was one of the first groups in several years to adopt the glam look (something that would become commonplace on L.A.'s Sunset Strip in only a few years) -- heavy on the make-up and hair spray, flashy outfits, etc. -- but unlike their future offspring, Hanoi Rocks' roots weren't in heavy metal, but rather punk and garage rock (the Stooges, early Alice Cooper, New York Dolls, Dead Boys).

After some lineup tweaking, the "classic" Hanoi Rocks lineup was put in place, consisting of Monroe, guitarists Andy McCoy and Nasty Suicide, bassist Sam Yaffa, and drummer Nicholas "Razzle" Dingley. On the strength of several Euro-only indie releases (1981's Bangkok Shocks, 1982's Self Destruction Blues and Oriental Beat, plus 1983's Back to the Mystery City), and European tours (as well as visits to such exotic locales as Israel and Japan), a buzz began to build. Hanoi Rocks was signed to Columbia Records soon after, as U.S. success appeared to be just around the corner -- especially after the release of 1984's Two Steps from the Move. Then came a much-publicized car accident that killed Dingley (behind the wheel was an inebriated Vince Neil) in December of 1984. Despite Monroe and company attempting to carry on with replacements, the promising Hanoi was laid to rest later the next year.

Relocating to New York City, Monroe began to pick up the pieces and embarked on a solo career. His first solo release was 1987's Nights Are so Long (a Scandinavia-/Japan-only release), which was quite Dead Boys-influenced (Monroe had befriended Stiv Bators and covered one of his solo songs, while guitarist Jimmy Zero contributed a pair of songs). An appearance in the star-studded Sun City video followed, as did a worldwide solo deal with Polygram Records. An initial plan of reissuing Nights failed to pan out, resulting in 1989's Not Fakin' It being the first domestically issued solo Monroe release. The album would go on to become Monroe's most successful stateside release (and the only one to appear on the Billboard charts), while all of Hanoi Rocks' albums were reissued on Guns N' Roses' short-lived Uzi Suicide label (Monroe also appeared on GN'R's Use Your Illusion releases and The Spaghetti Incident? ).

Many assumed that Monroe would obtain ever-elusive breakthrough success this second time around, but once more, it was not to be. A planned collaboration with ex-Billy Idol guitarist Steve Stevens failed to pan out, as it looked like Monroe had vanished. This proved not to be the case, and he continued to issue lower-profile solo releases (1992's Jerusalem Slim, 1996's Peace of Mind, 1999's Life Gets You Dirty, 2002's Take Them and Break Them, and 2003's Whatcha Want). Monroe has also sporadically reunited with his ex-Hanoi bandmates, including Yaffa, under the name Demolition 23 (1995's Demolition 23), and with McCoy as Hanoi Rocks, resulting in the releases Twelve Shots on the Rocks (2002), Another Hostile Takeover (2005), and Street Poetry (2007). In 2010 Monroe issued his first ever live solo LP, Another Night In the Sun: Live in Helsinki via Spinefarm Records, with a new studio album, Sensory Overdrive, dropping the following year. Horns and Halos, his seventh solo long-player, arrived in 2013, followed by Blackout States in 2015 and One Man Gang in 2019. Monroe continued to carry the glam-punk mantle with remarkable acuity on his potent tenth solo effort, 2022's I Live Too Fast to Die Young! ~ Greg Prato